Vicious Circles

Toi Poneke Arts Centre, Wellington, 2017

Kirsty Lillico presents an installation of large fabric banners, based on Google Earth views of the Canterbury Plains (Kā Pākihi whakatekateka a Waitaha) and the Mackenzie Basin (Te Manahuna). The green irrigation circles that now inhabit these landscapes are central motifs in this exhibition, which refers to the history of geometric abstraction as a tool of political protest.

Vicious Circles, 2017, installation view, Toi Pōneke Gallery, Wellington

Vicious Circles, 2017, installation view, Toi Pōneke Gallery, Wellington

Vicious Circles, 2017, installation view, Toi Pōneke Gallery, Wellington

Vicious Circles, 2017, installation view, Toi Pōneke Gallery, Wellington

Fig.  3, cotton fabric, pine dowel, stainless steel cable. 1900 x 1300 mm

Fig.  3, cotton fabric, pine dowel, stainless steel cable. 1900 x 1300 mm

Fig.  2, cotton fabric, pine dowel, stainless steel cable. 1900 x 1300 mm

Fig.  2, cotton fabric, pine dowel, stainless steel cable. 1900 x 1300 mm

Vicious Circles, 2017, installation view, Toi Pōneke Gallery, Wellington

Vicious Circles, 2017, installation view, Toi Pōneke Gallery, Wellington

Vicious Circles, 2017, installation view, Toi Pōneke Gallery, Wellington

Vicious Circles, 2017, installation view, Toi Pōneke Gallery, Wellington

Vicious Circles, 2017, installation view, Toi Pōneke Gallery, Wellington

Vicious Circles, 2017, installation view, Toi Pōneke Gallery, Wellington

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Demented Architecture