Vicious Circles
Toi Poneke Arts Centre, Wellington, 2017
Kirsty Lillico presents an installation of large fabric banners, based on Google Earth views of the Canterbury Plains (Kā Pākihi whakatekateka a Waitaha) and the Mackenzie Basin (Te Manahuna). The green irrigation circles that now inhabit these landscapes are central motifs in this exhibition, which refers to the history of geometric abstraction as a tool of political protest.
Vicious Circles, 2017, installation view, Toi Pōneke Gallery, Wellington
Vicious Circles, 2017, installation view, Toi Pōneke Gallery, Wellington
Fig. 3, cotton fabric, pine dowel, stainless steel cable. 1900 x 1300 mm
Fig. 2, cotton fabric, pine dowel, stainless steel cable. 1900 x 1300 mm
Vicious Circles, 2017, installation view, Toi Pōneke Gallery, Wellington
Vicious Circles, 2017, installation view, Toi Pōneke Gallery, Wellington
Vicious Circles, 2017, installation view, Toi Pōneke Gallery, Wellington